According to Vedic scripture, we’re in the cycle of time of Kali Ma, called Kaliyuga. It is said to be a time of enormous density – in which we humans need to work more diligently toward our spiritual liberation. In Vedic and Tantric tradition, Kali Ma is a fierce goddess who destroys evil. Her energy is strong and transformative, working quickly with winds of change and the lightning quality of decisiveness to dispel the negativity and ignorance that leads us to feel separate and thus cause violence to each other.
People sometimes think KaliYuga is a time of darkness and destruction, but really, it’s an age of transformation. It’s time for each of us to face our shadows – and then alchemize and integrate them so that we can actually come into a greater sense of Harmony and Unity.
The songs in Kaliyuga Blues do just that – they illuminate the joy and pain of this human life and invite us to consider new possibilities. This entire debut album was an emergence and as such, unpredictable. The songs brought together flavors of 90s rock, East Indian mantra and even a bit of metal and electronic ambient influence.
While not by conscious design, I discovered that each of the seven songs represents the experience through a chakra, and so the journey through the album reflects the play of consciousness.
Safe Space (the first or root chakra) is a fierce proclamation claiming one’s sovereignty, to dispel the oppression that has been perpetuated by the patriarchy. It is about also reclaiming body, mind and spirit to empower those who have experienced trauma from misogyny. This song helps listeners create any needed boundaries needed for healing. (This song came to me right after I found out Roe v. Wade was overturned – something I never thought I would see in my lifetime, and something I struggled with explaining to my teenage daughter). The mantra “Om Aim Hrim Klim Chamundaye Vicche,” a mantra generally associated with Kali Ma, is chanted in the pre-chorus along with spoken word, to aid us in clearing away our own karmic patterns and liberate ourselves from trauma.
Maya (the second or sacral chakra) sounds like a song about romantic infatuation, but it’s also about the karmic threads of all types of desire that keep us incarnated in our human body and locked into our senses. It also speaks to the links between desire and delusion, and the ability of Shakti (the divine feminine) to See and Be All in the incarnate world, ensnaring us into being human through the seduction of desire.
Told Ya (the third or solar plexus chakra) is a story of the “gut punch” many have felt when losing a loved one to drug overdose and suicide. Honestly (and I know it sounds strange), when the lyrics came through for this song it felt like Kurt Cobain was on my shoulder, dictating these lyrics to me, as if it was the song he wanted Courtney Love to write about his death. This song is also influenced by one of my favorite singers, Jeff Buckley.
Surefire Love (the fourth or heart chakra) is a fun rock song about the tribulations of seeking love outside of ourselves, to awakening to the divine love that exists within each of us, and recognizing the change in the world that will occur with massive realization of this Love. (Don’t miss the Video to this one!)
Imaginal Cells (the fifth or throat chakra). Here, fortified by a broader sense of love, we begin to imagine new possibilities for us, and the world. This very tender song has a sense of purity and innocence that can lay the groundwork for powerful possibilities for human evolution. San Diego Music Hall of Fame Inductee Jamie Shadowlight graces this song with her beautiful and emotive violin. This song was inspired by hearing my dear friend and colleague, Bruce Lipton, discuss imaginal cells as a biological reality that leads us to understand the embodied reality of transformation, through cocooning, resting, surrendering, and Becoming.
Galactic (the sixth chakra) is an ambient groovy song to explore dimensions that exist beyond human life, and is meant to open us to greater spacious consciousness. This song was inspired by a conversation with a longtime friend and animal communicator, Sigrira Perret-Gentil Savitski. The mantra, “Om Aim Sri Buvnaneshvari” is chanted here to give reverence to spacious dimensions of being. Maestro Indian sitarist Deobrat Mishra adds his gorgeous sitar to this special track, which was also masterfully produced by DTO, providing additional instrumentation.
Through the Veil (Maya reprise, the seventh chakra) opens us out through the human body back through the portal that takes us back into rebirth. The Panchadasi mantra here is chanted again and again to raise our kundalini energy toward spiritual liberation. The spirit of this song is a prayer that we may fully open our crowns and be blessed in our next incarnation, and/or realize the supreme Consciousness, even in the age of Kaliyuga. The musical rock chorus of the first song Maya is the base of this song, representing the thicker threads of desire that will keep us bound into another life. Deobrat Mishra’s sitar opens us also to the finer threads of consciousness throughout the song, and we end where we began, with the lyrics that begin Maya at the start of the album.
Big love and deep gratitude to The Brothers Koren and Kyle Mangels who co-produced the album, as well as Tate Harrison from HitLab who did masterful mastering!
A massive hug of thanks also to musical collaborators and show bandmates, including Jamie Shadowlight, Deobrat Mishra, Greg Vaughn, Jack Wagner, Michele Whitlow, Chris Cohoon, Dusty Norberg and Dan Calma.
Finally, deep gratitude to Roni Lee and Play Like a Girl Records and Von Artists for taking me on their label.
I hope you enjoy the musical journey through KaliYuga Blues! Thanks for reading, listening and connecting!
In this segment with Fox's Good Day LA, Dr. Shamini Jain shares tips to embrace your creativity from her book, Healing Ourselves.
In this segment wtih KUSI TV San Diego, Shamini Jain shares a bit about her debut album, "Kaliyuga Blues," and sings the first track, "Safe Space," live with her band.
Shamini Jain is a singer, scientist and healing empowerment teacher who has found herself singing everything from opera to heavy metal, in venues ranging from avant-garde art galleries in New York to Southern California's House of Blues and Viper Room. The former and founding lead singer of San Diego's Iron Maiden tribute Up the Irons as well as GnR tribute Nuns n Moses (featured on the TV show Jeopardy), Shamini interweaves diverse vocal influences ranging from Jeff Buckley, Joni Mitchell, Janis Joplin and Bruce Dickinson to ignite ecstatic joy for her audience through unifying them with vocal power. Her debut original album, "Kaliyuga Blues," fuses 90s hard rock, metal, folk and mantra influences to share the universal experience of being human – rocking across genres, cultures and identities.
Photos by John Hancock
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